I blend Systematic Abstraction, Mathematical Art, Algorithmic Art, and Symbolic Geometry to balance structure and intuition. My process follows a disciplined methodology:
Define Name
Assign meaning through a word (e.g., "Sky").
Assign Values
Convert letters into numerical values (A=1, B=2, ..., Z=26).
Plot Coordinates
Map numbers onto x and y axes, forming geometric foundations.
Set Parameters
Use a structured palette of three colours, three tools, and three mediums (acrylic, pastels, pencil).
Apply Rules
Each line follows either (1 colour + 2 tools) OR (2 colours + 1 tool).
Execute & Finalize
Layer, refine, and complete the composition.
P.A.L. (Piers A. Lawson) uses a combination of oil pastels, chalk pastels, acrylic paint, and graphite to create his artworks. His process involves:
Graphite & Pencil – Used for precision, foundational sketches, and numerical mapping.
Oil Pastels & Chalk Pastels – Allow smooth blending, rich pigmentation, and layered textures.
Acrylic Paint – Adds bold color and depth, often used in conjunction with pastels.
Palette Knives & Scrapers – Create texture, sharp edges, and layered effects.
Sponges & Rags – Used for blending and softening transitions.
Deeply influenced by the intersection of mathematics, structure, and emotion. His creative journey is defined by a commitment to precision and a fascination with the unseen connections between numbers, geometry, and artistic expression. Piers' work embodies a methodical yet deeply personal approach, where abstraction and logic coexist harmoniously.
Geometric Conceptual Artist, merging perspective, structure, and numerical abstraction to create striking visual compositions. My work is driven by patterns, precision, and the interplay of light, form, and meaning.
Time is integral to my process. It allows for precision, iteration, and discovery. Each stage—structuring titles, aligning lines, testing colour theories, and establishing unique boundaries—requires patience and meticulous attention.
The longer I invest, the more refined and intentional the outcome becomes. This philosophy extends to my photography, where time enhances complexity and depth, turning fleeting moments into enduring compositions.
Piet Mondrian
For his grid-based compositions and disciplined use of colour.
Salvador Dalí
For his surrealist exploration of dreamlike forms and imaginative perspective.
Claude Monet
For his mastery of light, atmosphere, and movement through colour and impressionist technique.
Kazimir Malevich
For his pioneering approach to geometric abstraction.
Bridget Riley
For her exploration of optical illusions and patterns.
Josef Albers
For his studies on colour theory and perception.
Frank Stella
For his structured yet expressive abstract forms.
PAL Studio
VANCOUVER LONDON
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